Jennifer Geoghan

20 April 2017: Free is always the right price.

Just an announcement that the newly rebranded first book in my series, The FALLING Series, is free on Amazon for the next few days.  I’m doing a free promo to try to increase the number of reviews I have for each book in the series.

Here’s a link to the free ebook.

ENJOY!

-Jennifer

 

15 Apr 2017: A Controversial Decision

There comes a time when you have to make the hard choices in life, and for me one of those choices was to scrap the titles and covers of my book series and start again.

  • Why would I do such a thing?

Because they were never living up to their potential. My other novel, If Love is a Lie, sold rings around the series and really they’re just no reason why when you take into account the stories. So, I now introduce you to the new and improved book series:

The Falling Series

  • Falling for Death (formerly know as: The Purity of Blood)
  • Falling for Stars (formerly know as: Purity Lost)
  • Falling for a Kiss (formerly know as: The Blood that Binds)
  • Falling Head over Heart (formerly know as: Purity’s Progeny)
  • Falling Ever After (formerly know as: Blood’s Solemn Vow)

The new titles convey that, yes, these are romance novels.  They downplay the vampire aspects of the novels, which in the end are not the most important parts of the books anyway.  The titles and covers are much more cohesive now as well.

Did I make a good decision?  Only time will tell ….

So what are your thoughts of rebranding a book series or any book for that matter?

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind. You have no idea how much you’ll brighten my day by leaving me a comment!

29 Mar 2017: Last first kiss … second to Last First Kiss … third from Last First Kiss …Oh Heck!

This last post in my series is a little off topic.  It’s really because when I was searching for a title for my latest novel, I was dumbstruck at how silly people are when it comes to picking names for their books.

Here’s how I go about picking a name.

  • Step 1: Remember not to get married to a name too early.  Research has to be done and you may be setting yourself up for heartbreak when you have to ditch the title you had your heart set on.
  • Step 2: Brain storm till I come up with a list of a few titles I think have potential.
  • Step 3: Go on Amazon.

Yep, go on Amazon and enter in your title to see if there is currently another book with that title up for sale.  This is important.  You don’t want to throw yourself into marketing your new book only for folks to a.) have trouble finding it, b.) buy the wrong book, or even worse c.) think the other book with the same title looks better and more appealing that yours!  Horrors!

Here’s a case in point. One of the titles on my list of potential titles for my novel was “Last First Kiss.”  Sounds good, no?  Well, it must be a good title, cause there are quite a few “Last First Kiss” books on Amazon!

What a waste it would have been to title my book that too.  My question is, did the other authors not check, or did they not care that they were going to be lumped in among the other kisses? Personally, I think it’s a mix of both.

Googleing the prospective titles is a good idea as well.

Ironically enough, the title I was convinced would be taken … wasn’t?!?!? I’m not complaining 🙂 nor am I telling you the title until I launch the book.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind. You have no idea how much you’ll brighten my day by leaving me a comment!

25 March 2017: There’s a case of pop in the boot.

Here’s the tenth installment of my series on How to Write a Good Romance (or any story really) based on what not to do:

10: There’s a case of pop in the boot.

If you’re from eastern Long Island, like I am, you say things a certain way.  We call it soda.  Up in Buffalo where I went to school, they called it pop. Keep this in mind if you’re writing for characters that are from a different region of the country than you are.

I recently read a book that took place in the Carolinas, but the protagonist kept saying things like she was going to take the lift up to the third floor or put her groceries in the boot of her car.  It was obvious the author was from the UK, yet she didn’t take care to edit out words that folks in the Carolina’s wouldn’t use.

If your writing dialogue for charters that are from anywhere other than where you grew up, be sure to research regional dialects for things like:

Would your characters say …

  • Sneakers or trainers
  • Ball cap or Baseball hat
  • Pop, soda or coke

If they lived in Boston, everything there is described as “wicked,” however, as a New Yorker myself, I’d be more likely to describe things as cool, never wicked.

To be honest, I cheat a little.  All my novels have heroines from my small, hometown of Wading River, NY. Being from this town, I’m apt to be accurate in how my heroines talk.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind. You have no idea how much you’ll brighten my day by leaving me a comment!

19 March 2017: Look Who’s Talking?!?!

Here’s the eighth installment of my series on How to Write a Good Romance (or any story really) based on what not to do:

8: Look who’s talking !?!?!

If you’re writing in first person and have multiple narrators, make this OBVIOUS! I just read a book that had two narrators.  The names of the narrators are the chapter names as well.

Chapter 1 is titled “Grace” which I had no idea was the name of the character. In the 10 pages that make up chapter one, the author never mentions her name, and let’s face it, “Grace” could have meant something was full of grace, which in this case is what I unconsciously assumed. Plus, I never pay too much attention to chapter titles.  Sorry, but I don’t.

Chapter 2 was titled “Sam.”  I’ll be honest; this 4 page chapter confused me.  I wondered why the unnamed narrator was suddenly stalking some unknown person for fun, but hey, the writing was really good and I figured it would go somewhere eventually. From the back of the book I vaguely remembered that the female protagonist was killing a series of men.  I think I was assuming the first fellow to bite it was going to be Sam.

Chapter 3 was titled “Grace” which again, I didn’t really think about.

It’s not till Chapter 4, “Sam,” that I started to realize something was truly amiss, and going back, realized there were two narrators. Talk about a light bulb moment.

The lesson here is to firmly establish your main narrator (by name) before you hand the story off to a second narrator. Remember to make that transition somewhat obvious to even a knucklehead like myself.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind. You have no idea how much you’ll brighten my day by leaving me a comment!

14 Mar 2017: The five page “How do you do?”

Here’s the seventh installment of my series on How to Write a Good Romance (or any story really) based on what not to do:

7: The five page “How do you do?”

A huge pet peeve of mine is piles of interior monologue in the middle of a conversation between two characters, especially if that interior monologue has nothing to do with the scene at hand.

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If your characters are exchanging dialog, don’t be rude to them and have one of the characters in the conversation go off on a tangent of a long interior monologue about something or another.  I’ll give you an example of what I’m talking about:

He looked my way and smiled.  “How do you do?” he asked as he extended he hand my way.  Taking it I felt his firm grip and the veins that corded the back of his hand. His hand was strong and held the promise of things to come.

“It’s nice to meet you,” I replied even though I knew it was a boring thing to say.

Ignoring my lame reply, he smiled. “How about dinner tonight at the restaurant downstairs?”

Dinner? Was he serious? Surely he had some pin-up model on speed dial he’d rather spend time with than me. No, that was my low self-esteem talking.  Damn Brian and how long I’d stayed in that relationship with him! Five years.  Five years of my life wasted on a man who didn’t appreciate anything about me except the way I made grilled cheese sandwiches.  The key was using three different kinds of cheeses, none of which was american cheese. In hindsight, the first sign of trouble was when he refused to go with me to my grandfather’s funeral. I was distraught at the loss. Instead of coming with me to the funeral home, Brian said he had an important squash game he couldn’t reschedule.  Grandpa Joe was like a father to me.  I missed him everyday. Just yesterday I passed the park on my morning walk and saw an old man and a little girl flying kites. I cried silent tears on my way home remembering doing that with Grandpa. With him gone, I had no family left. Besides that squash is a stupid sport.  Who even plays squash anymore since the 80’s. 

“That sounds nice.”

When authors do this, I’m so lost I always have to turn back a few pages to find out what question she was asked that she’s now, five pages later, answering. Sadly, by doing this the author has lost her pacing in the scene and now needs to start over to reestablish it.  I’m sure even Grandpa Joe would say he deserves more of a relevant insertion into the story than this.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind.

12 Mar 2017: A Rose may not be a Rose after all.

Here’s the sixth installment of my series on How to Write a Good Romance (or any story really) based on what not to do:

6: A rose may not be a rose

Romance is intrinsically different for every person. Because of this variety in human nature, it’s important to take the time to discover what romance means to your characters, as it might not be what would be romantic to you.

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Lizard Romance?

This individualization is what can give your characters depth and ultimately more interesting than stock characters out of a Cracker Jack box. If, like myself, you have written a number of romance stories, it’s important to distinguish your couples as individuals and not the same cookie cutter couple that you drop into a new situation in each book. Readers will quickly bore with this.

Your main characters should be as unique as your story. 

If indeed your female protagonist is truly a different person than your last book, than what is romantic to her will be different as well. Where one woman will find a man doing the dishes romantic, another may find flowers or walks in the rain romantic.

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  • Fast cars or carriage rides?
  • A hand written poem or karaoke solo?
  • For me, a truly romantic gesture would be for a man to read all my books.
  • A friend of mine said one of the most romantic things a man could do for her was to love her dog a well as her.

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Discovering what romance means to your protagonists is key to a good story. In the end, if you write characters that your reader care about, your reader will appreciate the romance of the book if it’s romance that makes sense for the characters you created.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind.

10 Mar 2017: Where the $)*@#$ am I?

Here’s the fifth installment of my series on How to Write a Good Romance (or any story really) based on what not to do:

5: Where the $)*@#$ am I?

Never be generic. Tell your reader in the first few pages where the characters are.

  • Are they in New York City?
  • Miami, Florida?
  • Austin, Texas?
  • Big Timber, Montana?

Each of these places are very different and those regional influences will affect how your characters interact with their environment. I recently read a book that seemed to purposefully avoid telling me where the story was set. All I can tell you was that I got the impression it was a city (as opposed to a small town) and that the main character said that, when a child, they used to go to the beach on weekends. Humm… not giving me much to go on.  Where they in Oregon or Georgia? Should I be picturing southern accents or New England ones? I can only imagine that the author of this book didn’t want the setting to interfere with the story.  Why? Did she not realize that the most amazing books every written are very identifiable with the places they are set?

Imagine Gone with the Wind without Atlanta.

Imagine Twilight without Forks.

Imagine Sherlock Holmes without London

Readers need something to go on.  As we read a book, we’re forming pictures in our mind, sort of like assembling the words on the page into a movie that shows in our head.  We hear the voices of the characters, we see what they see. But we all need a starting point from which to embark on the journey the book is to take us on.

2015-11-17-1447775691-8026445-accents_1Instead of ignoring the setting of your story, let it become a part of the story, let your readers walk it’s streets with the characters.  If they’re like me, the like to form a mental picture of the places your characters go, so paint a picture of a real place. Now, that doesn’t mean they can’t be set in a fictional town, it’s just that your fictional town should be set in a real life region of the country that your readers can identify with.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind.

8 Mar 2017: Momentum Killers – The Death of a story

Here’s the fourth installment of my series on How to Write a Good Romance (or any story really) based on what not to do:

4: Backstory dumps

I suppose this is probably a generic story problem, but it certainly is one that plagues the romance genre. A good story drops you right into the action.  It provides the bare essentials of information for you to understand the action and hit the ground running. It does NOT spend the first couple of chapters taking you from birth, trough childhood and adolescence and then to present day where your protagonists have their meet-cute.

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This backstory dump will kill whatever momentum the author is trying to build. The best way to introduce necessary backstory (and I stress the word necessary) is through the occasional dialog drop, a casual conversation that mentions something that happened in the past.  Let the characters current circumstances draw proper conclusions about the events that led to their current situation.

Don’t start a story with pages upon pages backstory about your characters.

Besides the fact that you’re asking me to be interested in something that is just backstory (not the actual story,) you’re wasting valuable real estate.  Those first few pages have to hook your reader, don’t waste it with things that are not your main story.  Drop you reader in the middle of a scene and make them hungry to know how they ended up there.  Tease them with bits and pieces of backstory, like bread crumbs that lead them to the last pages of the book.

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I recently read an excellent book that does a wonderful job of dropping the reader in the middle of the action. I wish I could copy and paste those first couple of pages here for you, but since I can’t, I highly suggest you check this book out if you’re looking for a good example.  It’s Haunted Souls by Kathryn Knight.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind.

6 Mar 2017: If they thought it once, they thought it a thousand times.

Here’s the third installment of my series on How to Write a Good Romance (or any story really) based on what not to do:

3: Unnecessary thoughts and feelings.

In a story where most conflicts are emotional, it’s easy to fall into the trap of repeating the same internal dialog over and over again.

“I was so confused. Did he really like me or was I just fooling myself that he could ever love a woman like myself?”

Believe it or not … Readers have good memories.  If she thinks that once, she doesn’t need to repeat it over and over again every time they meet.

Because in a story that is a pure romance all your story conflicts are emotionally based, you can easily fall into the trap of over thinking and analyzing your characters thoughts and feelings. Let their actions speak louder than words.

life-lemons-and-vodka-actions-speak-louder-than-words-20Don’t tell me a hundred times that she’ll die if he ever leaves her.  Once is enough. After that, let him leave and show me what happens to her.

-Jennifer

Jennifer Geoghan, author of:

I’d love to hear from you!  So click on “Leave A Comment” below and let me know what’s on your mind.

actions-speak-louder

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