vocabulary

4 Apr 2019: Lesson 1 in A Writer’s Lessons from Reading

I’ve often said that I feel like every book I read is like a lesson in writing. With that in mind I decided to share some of my lessons. Today I finished reading Dead Ringers by Christopher Golden. Not a bad read all things considered.  I’d probably recommend it to someone looking to read a book in this genre.

Love the cover!

Here’s the book blurb:

Tess Devlin runs into her ex-husband, Nick, on a Boston sidewalk, and is furious when he pretends not to know her. Afterwards, Tess calls his cell to have it out with him…only to discover that he’s in New Hampshire with his current girlfriend. But if Nick’s not in Boston, who was the man she encountered on the street? Then there’s Frank Lindbergh, who left his grim past behind and never looked back. But now that both of his parents are dead and he’s back in his childhood home, he’s assaulted by an intruder in his living room―a man who could be his brutal, violent twin…if it weren’t for the fact that Frank is an only child.

The big picture:

This book, in my opinion, has no plot. Don’t get me wrong, I’m not saying this is a bad thing. I mean, look at the sitcom Seinfeld.  It didn’t really have a plot either. This book is a ‘situation’ our characters find themselves in. There’s very little back story, so it’s really WHAM! and away we go into how they deal with the situation. Because I create detailed outlines of my novels, plot is very important to me, the evolution of my characters, their journey and how they change along the way. I really hadn’t conceived of writing a novel with no plot and wonder how one outlines such a novel. Certainly you’d have to do it differently than I do. Do I need so much plot? Something to ponder.

My favorite turns of phrase:

Here are some of my favorite passages.

“All but once. That one time, Frank Sr. had made his boy a mug of hot chocolate and told him, in a rare moment of introspection, that people made their own monsters … that half the time, they were their own monsters.” (page 7)

“But there had been that moment when they’d first locked eyes, that instant recognition that said, hey, you don’t know me, but I see something in you, like some invisible thread connected them.” (page 19)

“When the starry-eyed belief in a lover’s perfection passed and the ravenous lust of a relationship’s early days began to abate, it was adoration that people really wanted. When just being together was enough to make two people happy, that was the real deal.” (page 134)

“Her itchy eyes burned with tears and her lungs with that held breath, her unvoiced scream.” (page 143)

“The past hung between them, an unwelcome companion whose presence would not allow them to speak freely.” (page 154-155)

“Down in the subway, she always felt far too cut off from the world, the air clammy and insinuating.” (page 170)

“Fear had spread through her like a low-grade fever, lingering and threatening to settle in more deeply, and she didn’t like being afraid.” (page 171)

Words I wasn’t quite up to snuff on:

Either I wasn’t familiar with the word or was confused by its usage. I love increasing my vocabulary and will try to find ways to use these words.

Wan (page 5) (of a person’s complexion or appearance) pale and giving the impression of illness or exhaustion. “She was looking wan and bleary-eyed”

Moue (page 12) A pouting expression used to convey annoyance or distaste.

Verisimilitude (page 18) the appearance of being true or real. “The detail gives the novel some verisimilitude”

Pattered (page 49) Verb. Past tense: Pattered. To make a repeated light tapping sound. “A flurry of rain pattered against the window.” I guess the expression pitter patter of little feet makes more sense now.

Psychomanteum (Page 67) This word has no real definition. I honestly don’t know if it’s real or the author just made it up. In the book it’s some sort of mirrored object, large in size, that was used in a ritual to raise a demon.

Muzzy (page 147) unable to think clearly; confused. “She was shivering and her head felt muzzy from sleep.” I like this word.  I’d call it an onomatopoeia ( A word that sounds like what it is.)

Intuit (page 175) Verb. Past tense: intuited; present participle: intuiting. To understand or work out by instinct. “I intuited his real identity.” I kind of figured this one out, seeing as it sounded like intuition, but don’t recall seeing it before.

Baleful (page 194) Adjective. Threatening harm; menacing. “Bill shot a baleful glance in her direction.”  I have to admit I dislike this word. To me, it’s the antithesis of an onomatopoeia  Baleful sounds like it should mean mournful or sad, not menacing. What’s up with that?

Susurrus (page 223) Noun. Whispering, murmuring, or rustling. “the susurrus of the stream.”

Unmoor (page 259) To release the moorings of (a vessel). “The ship was ready to be unmoored” To cause to feel insecure, confused, or disconnected. “The loss of his wife has unmoored him.” I I’d heard this word before but never in an un-nautical context. In the novel the sentence is “Destroy the construct, unmoor the spirit.”

Subsumed (page 291) Sumsume (Verb) Past tense: Subsumed. To include or absorb (something) in something else. “Most of these phenomena can be subsumed under two broad categories.” Ok, I’ll admit it. I’m a little muzzy on the difference between consume and subsume.

Ending?

The ending was pretty good but I’m left wondering what happened in the following days, especially after the bombshell on the last page. I mean, really, is no one going to notice the changes in Lili? Tess, the main character, didn’t really have an arc. She’s the same person on page one as she is on the last page. Just a chapter more to give me an idea if the events of the book changed her would have been appreciated.  I think I’d preferred the book if Kyrie (her ex-husband’s girlfriend) had actually died. I was a little disappointed when she lived. (Sorry, Kyrie. C’est la vie.)

Seems like there’s room for a sequel, especially given the last page bombshell. When something that dramatic happens, I think most of the story is in the aftermath and how it impacts the participants.  There’s meat there to be explored.

-Jennifer

21 Feb 2019: Challenging Your Vocabulary

So I just finished The Next by Stephanie Gangi. I really enjoyed it. It’s one of those books I’d highly recommend to anyone who loves language or who wants to learn to write better. I love to read the way she strings words together to conjure an image in my mind. Even though the plot was a little thin, I’m still keeping this book and giving a place on my shelf.  This is high praise from me.

As is my habit, I like to write down the words I’m not familiar with on the back page of any book I’m reading along with the page number where said word is found. This book had quite a list. Sometimes it was jut the context of the word that stumped me. (See Stamp below)

Here, learn with me:

Bleat: the wavering cry made by a sheep, goat, or calf. “the distant bleat of sheep in the field”

Euphonious: of sound, especially speech, pleasing to the ear. “this successful candidate delivers a stream of fine, euphonious phrases”

Susurrus: whispering, murmuring, or rustling. “the susurrus of the stream”

Saudade: a feeling of longing, melancholy, or nostalgia that is supposedly characteristic of the Portuguese or Brazilian temperament. “her songs are based on love poems and evoke a melancholy known to the Portuguese as saudade”

Galvanic: sudden and dramatic.”hurry with awkward galvanic strides”

Parse: examine or analyze minutely. “he has always been quick to parse his own problems in public”

Chemtrails: a visible trail left in the sky by an aircraft and believed by some to consist of chemical or biological agents released as part of a covert operation. “conspiracy theorists have been going wild with speculation over the nature and purpose of chemtrails”

Supine: lying face upward. “She smiled at supine Ned.”

Splanch:  A splanch is not a ranch, and it is not a split level. Rather, it is a three-level house inside of a two-level skin.

Nattering: talk casually, especially about unimportant matters; chatter. “they nattered away for hours”

Aerie: a large nest of a bird of prey, especially an eagle, typically built high in a tree or on a cliff. “in their Meatpacking District aerie, surrounded by swag, their well-furnished heaven on earth, waiting for their little angel to arrive.”

Nascent:  just coming into existence and beginning to display signs of future potential. “the nascent space industry”

Bier: a movable frame on which a coffin or a corpse is placed before burial or cremation or on which it is carried to the grave.

Lope: run or move with a long bounding stride. “the dog was loping along by his side”  “he loped off down the corridor”

Ovoid: an ovoid body or surface.

Harridan: a strict, bossy, or belligerent old woman. “a bullying old harridan”

Aphorisms: a pithy observation that contains a general truth, such as, “if it ain’t broke, don’t fix it.”.

Stamp: walk with heavy, forceful steps. “John stamped off, muttering” OK, I’d heard of the word stamp but would have used the word stomp.  In the book the sentence is ” She watched a runner stamp through the dark, undaunted by the slick streets.”

Contrail: a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. (In the book it’s used differently “Ned say an apparition’s contrail leading out of” the bar. I have to say this seems to be the same as chemtrails above.

Kinesthetic: relating to a person’s awareness of the position and movement of the parts of the body by means of sensory organs in the muscles and joints. “kinesthetic learning through a physical activity”

Limerence: the state of being infatuated or obsessed with another person, typically experienced involuntarily and characterized by a strong desire for reciprocation of one’s feelings but not primarily for a sexual relationship.

Whew!

-Jennifer

PS: I was reading an advanced reader copy so I’m really hoping that by the time the book went to press they fixed the typos on pages 114, 222, 272, 292 and 293. Got some laughs out of those, but only because I’ve made such mistakes myself.  Kind of nice to know Macmillan Library/St. Martin’s Press is as fallible as myself.